Percussion Tips
By: Megan E. Thomas
Afro-Cuban Clave
We have been discussing some Latin styles of music in the past couple months. Lets take a minute to talk about something that is very important in Latin music, the clave. First, claves are an instrument and second, the clave is a pattern played.
The claves are two pieces of wood or cylindrical sticks that are struck together. They are played by placing one stick in one hand. The key here is to not grip onto it but let it sit in your hand and form a cup below. The cupping underneath forms a resonance chamber in your hand. If you were to grip onto the clave you would choke the sound and resonance. The other hand holds the other clave and strikes the one being cupped.
In Afro-Cuban styles of music there are four clave patterns. There are two in 6/8 and two in duple meter, 4/4 or 2/2. The names of the patterns are the Son Clave and the Rumba Clave. The Son and Rumba claves are written in 6/8 as well as in duple meter, which gives us the total of four patterns. The 6/8 meter clave patterns are the predecessors to the duple meter claves. The clave patterns are two measures in length and are very similar to each other. In Afro-Cuban music there are several types of music that are son styles and several that are rumba styles.
Following is the Son Clave in 6/8 and then in 2/2.
This is the Rumba Clave in 6/8 and then in 2/2.
Both of these patterns have two sounds in the first measure and three sounds in the second measure. This is called 2-3 Son Clave and 2-3 Rumba Clave. If you start the pattern in the second measure then you would have three sounds in the first and 2 sounds in the second. That would be called 3-2 Son Clave and 3-2 Rumba Clave.
The clave is the instrument that helps lock everything together. Each instrument in the ensemble has a pattern that is played that will line up with the clave. It is called "playing out of clave" if your part doesn't match the correct clave, 2-3 or 3-2. Which clave is played when, you ask? Well, it depends on the style of music, the arrangement, and sometimes the melody. Also, in traditional arrangements of music, the clave doesn't change direction. Changing direction means changing from 2-3 to 3-2.
The clave is often a mystery to newcomers and some may not even know that it exists. The clave is important to the music and there are other clave patterns that exist in different genres. The Son and Rumba Claves are with in the Afro-Cuban styles of music. Get comfortable with playing the clave patterns and then start listening to music and identifying which clave is which. You will be able to do recognize them before you know it!
Meg Thomas Bio
Meg Thomas, percussionist from Chicago, is an active performer and teacher who received her Bachelor of Arts in Music from Millikin University. Meg performs and teaches several different percussion instruments such as congas, drum set, bongos, timbales, djembe, tabla, cajon, darbuka, berimbau, cuica, bodhrán, and other percussion instruments.
Meg is involved in several original music projects as well as being an avid performer in the festival and jobbing band circuits. Meg has played in numerous bands over the years, playing in venues that range from House of Blues to Alpine Valley to The Park West to The NBC/Disney Holiday Parade to thousands of clubs, festivals, and bars. Meg has performed on local and national TV, and has also been on local and internet radio. She has experience in a plethora of genres: rock, soca, pop, calypso, blues, punk, fusion, latin-jazz, metal, salsa, world, folk, classical, reggae, disco, R&B, percussion groups, dance ensembles, etc.
In addition to being an active performer, she plays sessions at recording studios, puts on world percussion seminars, facilitates drum circles, teaches private lessons, and writes the Drum and Percussion Tips of the Month column for the webzine, ChicagoMusicGuide.com. Meg is part of the Vic Firth drumstick and mallet company's Education Team as a Vic Firth Private Drum Teacher and has a Sabian Cymbal endorsement.
Visit Meg's website:www.MegThomasPercussion.com
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