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Bongos?
By: Megan E. Thomas
Many
people have problems identifying the bongos and congas.
While both being hand drums, they are very different and
are approached differently. Bongos are the small high pitched
drums that are joined together by a block. The smaller of
the two is called the macho and the large drum is called
the hembra. The bongos originated in Cuba. They were originally
played in Changui and Son groups. There were no other drums
used in those groups until the 1940's when Congas were introduced
into the ensemble. Bongos are used in many genres of music
today. The bongos are primarily an improvisational instrument.
Traditionally the bongos are played seated with the pair
being held between the knees. A right handed player would
have the macho (small drum) on the left and the hembra (large
drum) on the right. The bongocero (bongo player) would also
switch to playing a large hand-held cowbell (Campana) during
certain sections of music within the ensemble. In general,
the bongocero would play bongos during the introduction,
the verses, and during lower volume solos such as bass or
piano solos. The campana would be played for the Montuno
section as well as during solos that were higher in dynamics.
There
is one main bongo pattern that is used to improvise around.
This groove is called the Martillo pattern. Martillo means
hammer in Spanish. One is hammering out the downbeats in
the groove which helps maintain the tempo. There are a few
different tones that one needs to know before starting to
play. The main tones are the slap, the heel (thumb), the
toe (finger), and the open tone. In the Martillo pattern
below, the macho is the drum that most of the pattern is
played on while one note is played on the hembra. The note
played on the hembra corresponds to the congas' tumbaó
pattern.
Slap
= S Right = R
Heel = H Left = L
Toe = T
Open = O
There
are many variations to this pattern so be creative, listen
to the other musicians around you, and "hammer away."
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Megan
Thomas, percussionist from Chicago, is an
active performer and teacher. She currently plays
percussion with Chicago-land's premier steel drum
band, OD TAPO IMI (www.odtapoimi.com),
as well as playing drum set with an all original rock
band from Chicago called Reptoids (www.reptoids.net).
She has played in numerous bands over the years, opening
up for acts ranging from Jimmy Buffet to Evil Beaver
to Foreigner to Johnny Clegg while playing in venues
from House of Blues to Alpine Valley to The Park West.
She has experience in a plethora of musical genres:
latin, pop, rock, blues, punk, fusion, latin-jazz,
salsa, world, folk, soca, calypso, classical, etc.
In addition to being an active performer, she plays
sessions at recording studios, performs with jobbing
bands, puts on world percussion seminars, facilitates
drum circles, writes for freemusiceducation.com
and chicagomusicguide.com,
and teaches private lessons at North Shore Music Institute.
Megan
Thomas
www.myspace.com/mtpercussion
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